Categories: Interviews

Anna Kendrick, fresh with a twist

‘A Simple Favor’ actress on her fluid sexuality, kissing Blake Lively and advocating for ‘Pitch Perfect’ lesbian love

The pitch is perfectly crazy in Anna Kendrick’s walk on the dark side of filmmaker Paul Feig’s warped sense of humor, A Simple Favor. It’s martini-sipper mom versus martini-swigger mom. Target mom versus Met Gala mom. Aspirational versus extra.

It’s regular mom-meets-mom business, a modern mom-com — until Emily (Blake Lively) goes missing. Emily’s sudden disappearance prompts Stephanie (Kendrick) to mount an investigation by employing her keen Nancy Drew smarts and posting distressed clips of herself on her dorky craft vlog. (Friendship-bracelet tutorials will have to wait.)

A bit camp? Yep. A bit queer? Obviously. And naturally so, as Kendrick’s 15-year career is steeped in queerness: at age 17, she cut her acting teeth on Camp, the 2003 teen musical-comedy directed by out filmmaker Todd Graff; as Beca, she brought covert aca-gayness to the three-part Pitch Perfect franchise; and in 2014, the 33-year-old Oscar-nominated actress slipped into Cinderella’s glass slippers for Stephen Sondheim’s Into the Woods. And her long, impulsive kiss — “just another Tuesday,” Emily notes — with Lively in A Simple Favor, well, it’s not exactly straight, she says.

Here, the longtime ally talks about attempting to allow the lesbian love to bloom between queer-coded Pitch Perfect leads Beca and Chloe (Brittany Snow), what irks her about self-congratulatory reactions to celebs coming out and, when it comes to her sexuality, being open like Emily.

A car sing-along, a little camp, some martinis and a mom makeout sesh: Anna, you sure know what the gay community wants at this point in your career, don’t you?
(Laughs) Oh my gosh! I wasn’t thinking of it in that way, but yeah, it is camp. It takes itself a little seriously, but we’re always winking or having fun. It’s bright and colorful, and there’s an unabashed campiness to it — even though the stakes are very real in places.

Going in you didn’t recognize a queer sensibility?
To be honest, when I was going in, there was so much to play with. I remember having one of those conversations with Blake where we both felt like, “Are we high right now? Are we having a stoner conversation?” Because we were talking about how in a traditional comedy there’s a slider that you’re on from how subtle to how broad, and with this, it felt like you weren’t only on this linear slider — you were in three dimensions, and you could go to all these places.

It was so much fun as actors to have that, and I know that sounds stoner-y and existential and dumb. But the world Paul created had so much possibility, and so I wasn’t thinking about one group. I was barely getting my brain around what the movie was in the first place! But I think Stephanie is very much an underdog, and she’s finding her place in the world. I feel like that’s something that queer people can relate to at one point or another in their lives.

What was it like coming to set for the first time and seeing the giant painting of Blake-as-Emily’s vagina front and center in Emily’s front room?
OK, this is interesting: So that painting — fun fact — was never once on set. That is all post effects. Sometimes it was a green screen, and sometimes it was this other painting that was nice but Tumblr art. It was Blake’s idea to have it be a little bit more, um, obscene. Yes, it’s art, but a little more shocking for Stephanie to see. Not so polished, not so pretty, not so coy. I thought that was brilliant.

Regarding Pitch Perfect: Are we ever going to get the Beca and Chloe love story that they so deserve?
I know. I wanted to have an ending that was a Bechloe ending, and we did shoot one version where Brittany and I tricked everybody into shooting one that was just the two of us getting together. We knew it was a long shot. It meant so much to us that there was this following around their latent relationship and, yeah, I thought it would’ve been cool if it ended up coming to fruition in the end. If we ever do a fourth, I will fight tooth and nail for it, but I’m not sure it’s going to happen.

Because the studio doesn’t want to go there with their sexuality?
It wasn’t that Universal was like, “There can be no lesbians in Pitch Perfect!” Because obviously, Cynthia Rose is an openly gay character. But I think they were confused by it because they weren’t listening to all the online chatter, whereas I see it every day, and I’m like, “Are you kidding? This is what they want!”

Best lesbian Bechloe fanfiction you’ve read?
OK, I’ve only tried ever to read one. It was so sweet and puppy-lovey that I was like, “Aww, I wanted to read some sauciness!” I thought I was going to get scandalized! Instead, I was like, “Aww! This is, like, so sweet! It reminds me of The Baby-Sitters Club books.” But I haven’t followed up on it.

You once met a guy at a Gelson’s market who told you he does your Camp character, Fritzi, in drag. How often do you run into drag queens at grocery stores who tell you that you’re their inspiration?
(Laughs) Not often enough! That was one of my favorite moments of being recognized, ever.

Which other characters of yours might make good drag material?
Stephanie has a real Sandy-in-Grease vibe, where she doesn’t become the bad girl, exactly, but she loosens up and shakes it off a little bit. But I do still like Rizzo in Grease, who is more fun than Sandy, so I’m not sure that Stephanie is necessarily the one. She’d have to let her hair down really.

You’ve said you downplayed Fritzi’s sexuality when you filmed Camp.
The thing that made me uncomfortable about Fritzi was I was 16, but it wasn’t so much that she was gay — it was that unrequited gay love situation. I think if she’d been crushing it and getting girls, I would’ve been like, “Awesome, awesome, awesome!” It was just, at 16 you don’t want to be playing the girl that nobody likes, which I recognize as I get older is such a silly insecurity issue. But at the time I thought, “Can’t somebody just have a crush on me in a movie — god!”

Would you have approached Fritzi differently in retrospect?
The truth is, I think I would have just enjoyed myself. Todd Graff is amazing, and I’m so lucky to have had him as my first film director. And he got me to do everything that I think that I would’ve done as a more experienced actor, regardless, but I guess I regret that I didn’t enjoy myself more.

You recently won the Choice Twit award at this year’s Teen Choice Awards, and I wouldn’t be surprised if this was your crowning tweet: “Lot of people seem really proud of themselves for announcing they ‘already knew’ Barry Manilow was gay. Yeah……ur the true heroes today guys.”
When a public figure comes out, taking the attitude of like, “Duh, we knew,” is the weirdest thing to me. Even when celebrities announce that they’re pregnant, people aren’t like, “Duh, we could tell three months ago.” They’re like, “Aww, she’s finally ready to talk about the fact that she’s pregnant! That’s amazing!”

And you would think that your sexuality would be supported (because) they feel comfortable talking about it now. It’s a weird topic to feel a sense of superiority because you figured it out first.

So much of what you do is a bit gay. Was that the case for your role as Santa Claus’s daughter in the forthcoming Noelle? Again, I would say Noelle has a touch of camp, so hopefully, it’s enjoyable. It’s been so long, and I haven’t even seen a cut of it, so I’m like, “What did we make?” Oh, but they did make a point to have same-sex couples wherever we went, whether we were at the North Pole or outside the North Pole.

Getting back to A Simple Favor: Where do you think Stephanie and Emily fall on the Kinsey Scale?
That’s a good question. I think Emily is a surprise for Stephanie, and she is completely in love with her in a way that she can’t understand. Also, I think that Stephanie probably would define herself as straight, except that there is this woman and she is kind of in love with her, and there is a part of her that is attracted to her.

I remember that Blake and I felt like neither of us wanted to be the aggressor in the scene. Blake was worried she would come off as taking advantage of me because I’m in a vulnerable place. And I was concerned that I would come off as I wanted so much more and that Blake is playing and Emily is comfortable with the fluid aspects of her sexuality, whereas Stephanie has more of an emotional component to it. So, I was worried it would be, like, really sad. We struggled to find that perfect balance of, there’s just this moment, and they both get caught up in it, and it’s a little uncomfortable. Yeah, it was a fun day.

You’ve been open about your girl crushes over the years. Have you ever had a girl crush that was or could have been romantic?
Let me think about that. There’s somebody I’m still friends with, and when we met, we kissed. It was after high school, and it was the first time I kissed a girl where it wasn’t like, we’re at a party and boys are watching! That horrible performance silliness. But I think I haven’t had that emotional love for a lady, which isn’t saying it could never happen, but I think I’m more of an Emily than a Stephanie.

And your lip-lock with your longtime girl crush Blake Lively in this movie – thoughts?
(Laughs) I mean, all I’m ever thinking about in (kissing) scenes is who has gum? Who has a mint? And I think Blake is probably the same because I’ve never experienced a guy, like, searching for a mint or gum. So, we were the mintiest, freshest two people to have ever kissed in the history of America.

Congratulations!
Thank you. Call Guinness.

As editor of Q Syndicate, the international LGBTQ wire service, Chris Azzopardi has interviewed a multitude of superstars, including Meryl Streep, Mariah Carey, and Beyoncé. Reach him via his website at www.chris-azzopardi.com and on Twitter (@chrisazzopardi).

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Chris Azzopardi

Chris Azzopardi is the editor of Q Syndicate, the international LGBT wire service. He’s also the proud recipient of an “I adore you, daaahhhling!” from Mariah Carey. Reach him via his website at chris-azzopardi.com and on Twitter @chrisazzopardi.

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